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What made you want to become an

illustrator, how did you get started?

I’ve always had a flair for art and I’ve

been drawing continuously since I

was six years old. I started illustrating

more seriously during my studies at

Wolverhampton University, where I read

graphic design. I was given a graphic

tablet by a friend and once I picked it

up - I couldn’t put it down. I started

to push myself after mastering the

basics. Soon after, I was able to find my

own digital style. As my technique and

artwork improved - so did my workload

and demand.

How would you describe your style

and your approach to the work you

do?

Well...at the core of everything, I’m a

massive nerd - the ultimate fanboy. I

read uncountable amounts of comics;

my room has towers of them 10 feet

high! Since childhood, I can always

remember being fascinated with the

characters and stories shown on Fox

Kids TV - Spiderman and X-men being

my favourites. As I grew older, movies

such as Gremlins and The Goonies

were always stuck on repeat. Creative

stories have always unboxed my

own imagination, and this reflects in

my work. Being able to illustrate my

fictional heroes is a dream come true.

Drawing the characters I’ve always

loved, and working within the fictional

world, means I enjoy what I do more -

further fuelling my passion.

Favourite project you’ve ever

worked on?

The very first Blade Runner themed

THREADS box - for sure my favourite

design piece. I’m a massive fan of the

movie. I rewatched the original and chose

some of the less iconic features, such

as the owl with the robotic eye. Using

these elements, I was able to create a

composition I was the most proud of.

What skills do the best

illustrators possess?

Having a creative eye is the most

important thing. I think you need to

dedicate a lot of time to the layout

and the individual imagery of the work

- every element of the picture must

stand out. Create good graphic flows,

think outside the box, and take an

original and distinctive approach to the

drawing. Ken Taylor and Dan Mumford

are both great examples of amazing

illustrators – they’re artistic heroes

of mine. These guys can pick things

out others don’t see, they push the

boundaries.

How would you describe your own

particular style?

I guess my style, is just my style! Of

course, I take lots of inspiration from

other artists and seeing great work

sends my own creative sparks flying

- it can alter my own way of thinking.

It reflects in my imagery. Everyone’s

own style comes from the way they

see the world. My illustrative aesthetic

could probably be described as comic-

inspired. Detailed yet simplistic, smooth

with basic line designs.

Super-Héroïnes P17

@the_zbox

D’Iron Man à Ironheart

La nouvelle version d’Iron Man par

Marvel a été réécrite en Ironheart,

une jeune étudiante noire qui étudie

au MIT (la célèbre U iversité du

Massachussetts) et qui a reconstruit

une vieille armure de Tony Stark. Le

personnage de Riri Williams a été inspiré

par une femme réelle, do t le succès

lui a per is d’échapper à la pauvr té,

le crime et la violence. Le scénariste

Brian Michael Bendis a rencontré une

jeune femme noire à Chicago et a été

confronté à ses difficultés.

Du Dr. Jane Foster à Thor

Les réactions sont partagées depuis

qu’une version féminine de Thor a

été annoncée en 2014, certains

pensent qu’elle n’existe que pour être

politiquement correcte et que Thor

a toujours été un homme, d’autres

pensent qu’elle sera une inspiration

p ur les jeunes femmes. Le pouvoir de

Thor étant transmis à quiconque peut

brandir son marteau, Mjölnir, Jane Foster

d it être digne de recevoir ce titre. Jane

Foster n’est pas la premièr femme

à brandir le Marteau : dans le passé

Wonder Woman en a pris possession

pendant une bataille ntre Marvel et

DC, ce qui a permis d’encour ger la

transformation de Jane Foster n Thor.